Saturday, December 19, 2015

Sweet Mary's Taste Temptress on Mill Street



     Being new to downtown living, the idea that I can walk down the street to buy freshly baked pastries and a hot cup of coffee early on a Saturday morning is truly wonderful. Sweet Mary's Bakery opened shop right on time for this city dweller.
     It was so easy to get to, especially since I was able to park right across the street from the bakery. The whole shop was warm, clean, and brightly lit. Cheerful Christmas music played overhead in a room that could easily seat thirty people. It made for a fun brunch adventure.
     I ordered the quiche lorraine. I have to tell you, it was the best quiche lorraine I have had in a long time. The crust was super flaky, there were generous cuts of real bacon, sweet onions, and just enough spices to make this savory dish feel habit forming. I was lucky to get the last serving. They had already sold out of all their other quiches.
     To round my meal off I also bought one of each cookie on display. The Russian tea cakes were perfect. Seriously. Try one, they are perfect. This round mound of butter, nuts, and flour rolled in confectioner's sugar was so good I did a double take. Which is to say I ate the whole cookie as opposed to taking a small bite and then putting it back in the box as I had intended to do.
     The rugelach was also delicious; small cream cheese dough rolled into miniature croissant shaped cookies filled with nuts and sprinkled with a proprietary mixture of spice. Perfect for tea time.
     Being tempted by their golden beauty, I ate a whole peanut butter cookie: crunchy on the outer rim, chewy without being under-baked in the middle, with chunks of peanuts throughout. It wasn't overly sweet, which made it the perfect companion to my cup of Black Squirrel coffee.
     There were some hidden perks to my downtown brunch at Sweet Mary's. I was able to pick up a jar of honey from Akron Honey Company for my tea later, and maybe come Monday I can also snag myself a bottle of Norka ginger ale to take to my son when I pick him up from school.
     I have a feeling that Sweet Mary's and I are going to be really good neighbors, especially if she keeps making those pecan pies.

Sweet Mary's is located at 76 E. Mill Street, across from the John S. Knight Center, between Broadway and South High Street.

www.sweetmarysbakery.com

www.norkabeverage.com

www.akronhoney.com



Thursday, November 12, 2015

Devil's Milk Trilogy Continues with Industrial Valley

http://akronist.com/devils-milk-trilogy-takes-turn-to-industrial-valley/


New World Performance Lab hosts open rehearsal in third part of trilogy
— Industrial Valley is the third installment in the series titled Devil’s Milk Trilogy, presented at The Balch Street Theater by New World Performance Laboratory, and is based on the book “Industrial Valley” by Ruth McKenny.
The setting is a familiar one, minimalist, to the point, and stripped of anything not essential to the storytelling: this was Akron during The Depression.
Headline after headline was acted, sung, danced and whispered. The cast drew you in and kept the script tight so you had no choice but to hang on and follow them through a decade of lows so low you could almost feel the hunger and desperation of the times. Their timing was impeccable, from the first word and the first snap of the fingers, to the last song of desperation and the last shout of celebration.
Under the direction of University of Akron’s Theater professor and Center for Applied Theater and Active Culture President and NWPL Co-Aristic Director James Slowiak, the cast took each headline assigned to them and formed their own script, effectively creating a historical ensemble that moved quickly from year to year through the 1930s. The actors did an impressive job of reformulating those headlines to craft their own lines, songs and music using 90- to 95-percent of McKenny’s own words.
The refrain “prohibition” was passed around like a quiet game of telephone, and the circumstances that led to a child’s gruesome death was acted out without being overtly dramatic. The light touch used to relate the harder moments of Akron’s history made for excellent theater.
(Photo: Yoly Glez M Heisler)
(Photo: Yoly Glez M Heisler)
The song refrain “Have another cup of coffee, have another piece of pie” was effectively used as irony to highlight how hard everyone, from manufacturers to the Beacon Journal reporters and editors to advertisers, tried to make light of the dire financial straits the city found itself in that.
If there is a best way to teach Akron’s history effectively than this is most certainly it.
The Devil’s Milk Trilogy is in part funded by The Knight Foundation. The first two parts to the trilogy were “Death of a Man,” which tells the story of genocide in the 1900s, and “Goosetown,” a tragic musical set in 1913, and written and composed by playwright JT Buck.  Ruth McKenny was a full-time reporter for The Akron Beacon Journal during the years 1933 and 1934 and wrote “My Sister Eileen,” a memoir that was later adapted as the musical “Wonderful Town.”
Cast includes:
Robert Keith
Debora Totti
Rosilyn Jentner
Chris Buck
Justin Hale
Jairo Cuesta
Kyra Kelly
Lighting by Kirsten Nicole
With special thanks to Jamie Hale

For info, visit about the Center for Applied Theatre and Active Culture/New World Performance Lab, visithttps://www.facebook.com/catacnwpl/?fref=photo.

Saturday, October 10, 2015

Boozled: Time Cat Delivers

     Rock and roll,  a name that has been stretched thinly across genres as if it were a one size fits all kind of thing, has found itself a new home.  Tonight at The Rialto in Kenmore, the harmonious vocalization of the opening act Saint John gave way to something not many would-be fans would have expected.  When Time Cat took the stage last night they owned it.
     This little trio from Akron aptly describes itself as "a kitten's whisper or a lions roar."  When they aren't cooing sweetly in your ear, they are tearing it apart.




     There isn't anything polished or neat about the lead vocal's voice, even though you could easily imagine her singing gospel, jazz, or old world standards.  If you believed word of mouth introductions you would have thought her only talent was in how she plays her guitar.  You would have been wrong.  Jeri Sapronetti doesn't just play the guitar.   She doesn't just sing the songs.   Jeri is, as simply as it can be stated, a born performer of the highest caliber.  This may be a beginning for us, but she has been on this road a long time and her experience shows well. 
     When Jeri tells her audience that Time Cat has the best drummer possible, and that it took years to find him, she isn't kidding.  Sam Caler is not only good at keeping the beat, he creates it within us.  With the rapid quickening of his wrists he pulls us out of our personal spaces.  He starts our toes tapping and our heads bopping. He doesn't play the drums, he makes them speak loud and clear: "follow me", "dance with me", "be with me". 
     The drums may tell us what to do, but the bass shows us how to do it.  Colten Huffman surround us in a cloud of notes so thick we don't think, we only hear and feel.  He gives sway to our shoulders and swing to our hips.
     The bass is the heart pumping, the drums is the brain thinking, and the vocalist is the emotions that flow.  There is only one Time Cat. They are in sync with each other, and attuned with their audience.  To use an old cliché, they are perfect.
     We are glad to be, as Jeri so aptly called us, slaves to the music.  Of all the adjectives I could use to describe them the only one that can do them justice is "better."  Time Cat is better than expected, better than they were before, better than their closest equals.  They are defining what is iconically Akron, and there is no better time for that than now.
     I have heard them described as the "next best thing."  That is totally wrong because they aren't the next best thing.  They are what the standard should be right now.  No matter where they go from here, to this audience everyone else will be measured against them, and rightly so.

Time Cat does not have any upcoming concerts.
Catch them as you can.


The Rialto Theater is located at 1000 Kenmore Boulevard, Akron, Ohio (234) 525-1956
http://therialtotheatre.com/

Saint Joan is comprised of dual vocalists Samantha Grace and Hannelore Berken.



Commentary written by Yoly



Sunday, October 4, 2015

What do We Want: The Akron Innerbelt Challenge



What we are asking for:

Boardwalk
Mixed Retail
Food Trucks
Year Round Farmers Markets
Sledding Hills
Food Forest
Refuge From Suburbia
Safe Place From Cars
Bike Lanes
Amusement Park
Family Playground
Four Season Gallery
Park With Walking Trails
Skate Park
Daylighting the Canal (Redirecting Water Above Ground)



What we really want:

A Common Gathering Place for Everyone








What would you put atop this place?

Write your ideas down in Neighborland.com/akroninnerbelt

#500plates   #akroninnerbelt
Akron's Innerbelt (Rt 59) will be permanently closed in 2016

Wednesday, September 30, 2015

Wesley Ian aka Wesley Bright


Wesley Ian’s smile struck a chord with me.
How could anyone smile that much and not get tired of smiling? Of course, he is always full of energy; businessman, self-starter, a dad, a performer, and a common sense advocate who wanted to make his own way. That is the man with the smile worth 83,000 pounds of honey.
He will often quip that he “wanted to make the community better, to make Akron something to brag about. ” Not only did he start his own apiary and the Akron Honey Company, he helped start “Akron Honey Company Market Day. . . All About the Food,” with Kaley Foster of Urban Buzz, which sells candles using the wax from the honey company’s bees.
At the Market Day event, Ian highlighted local merchants, most of whom produce local food stuff.
He is always working on something that benefits his neighborhood and his family, but that is not where Ian stops. Aside from running his own business, he works a full-time job, and performs as the lead singer for Wesley Bright & the Hi Lites. He can sing, he can dance, he can perform magic on the stage, with an audience that could often be found fawning over him. On the stage, Ian is king.
“It’s strange, it’s weird,” he says. “Some folks ask ‘Is that really you up there? Is that who you are?’ I have my full-time job. For a long time folks didn’t know what I did. They didn’t know I was a performer. Someone found a video on YouTube and they said, ‘Now I know why you act the way you do here.’ Because I act really animated. It’s really fun to live. You either live up or you live down, and I like to live up.”
This man is so full of energy you feel it even if you are sitting across the table from him, but the serious side of him doesn’t shy away from difficult topics. He cuts right through the middle of a conversation and tells it like it really is. He doesn’t tell you you are wrong, or you are right, but he presents both sides of an argument as factually and as unemotionally as possible and then moderates the discourse that ensues. He is a rational voice that pulls people into conversations that most of us are afraid to start.
DSC_3592-Edit
“I think things should be a certain way. Things should be fair for everybody. We should listen to one another and leave ourselves vulnerable by putting our need aside and have our ideas shine for us. That’s the only way we’re going to understand each other’s reality, and getting closer to being in the same place.
“I’m an optimist; it’s hard for me to rationalize, to figure out things because everyone is in a different place and everybody is so self interested. I’ve been the odd man out my entire life, but many of us have felt like that, that we don’t fit in.”
He was born on the east side of Cleveland, and when he was 6 or 7, his parents moved the family to Aurora.
“This is in the 80s,” he adds. “We were one of the first few black families there.” He looks down at his hands, then looks back up. I reply, “You were popular because you’re the only were black person around.” He doesn’t hide the fact that this wasn’t an easy thing to deal with, but his smile persists.
“We lived life differently there, but they didn’t see that because there was one way of living life for most folks in Aurora, the way of the the majority,” says Ian. “They thought the same way and lived the same way, but I was a bit different. I felt pushed away at times just because of this design. I can assimilate as much as possible, but it’s just not the same. Unless the environment is integrative and it’s inclusive, you are going to feel pushed away.
“It’s that, and then moving to Aurora doesn’t mean you never go back to Cleveland. Every weekend during the school year we were there, and then during the summer we were there every day.”
He adds: “When you move away and get something better, some people are cool, but to others…” He shakes his head. He drops his smile and looks me right in the eyes: “You’re a sellout.
“I’m in Aurora trying to make it, but by design  being pushed away. But then I go back to Cleveland and by choice, they pushed me away. They knew where I was from, they heard the influence in my voice, because there is more education out there, you can tell that you’re a little bit to the side. Church was a big one. We went to all black churches from when I was little until I left the house in my 20s. The same groups of people stay together and you’re out because of those differences.”
He laughs away the seriousness of what he says. His arms relax, and he lets himself sink into the back of his chair. He takes a sip of his coffee and smiles at me when he looks up. A woman walks by and he recognizes her. He greets her with warmth, and she reciprocates with a warm smile and a quick hello.
(Photo: Shane Wynn)
(Photo: Shane Wynn)
I watch him. It seems as if he knows everyone, and if not everyone, than a good portion of the residents in this area of town. The man next to us is keen on our conversation. He has been following what we have been saying, turning the same six pages of his paper over again and again.
I recognize the man as a regular at this cafe. He probably knows both of us by sight. “You can’t walk around with all that on your back. I know it sounds easy to say let it go, but I don’t know.”
Ian’s laugh is not as carefree anymore. It comes in a quick burst, as if highlighting the fact that he doesn’t find any of what we are discussing funny.
“That does build character. It does toughen you up. I don’t know if it’s because I’m getting older or because I have kids now, but I don’t even care anymore. I don’t care what people think of me. I don’t know if I ever did care.”
We sit there talking for almost two hours before we reluctantly get up to go back to our everyday lives. He leaves the impression that there was a lot more he could have said, about the state of the city, the nation, the people he loves, but there is only so much free time in his schedule, and I used it all up.
I caught his act one night. It was impressive. I watched women press themselves against the stage, their hands outstretched in an effort to touch him. Many of them danced along with him, and most everyone in the crowd participated in the singing and shouting. Afterwards I watched the performers retreat to the back of the stage, lights flickering for a second before going completely dark. In the few rays of light that came from a nearby street lamp I could see them glistening. While they were all hot and sweating, it was the sheen on Ian’s face that betrayed how much energy he had expended.
He was tired, spent from dancing at full tilt for an hour and a half, but that smile was still present. Even in the darkened lot, where no one would have noticed if he had chosen to frown, he smiled.


http://akronist.com/the-singing-beekeeper-with-the-unmistakable-smile/

Monday, September 21, 2015

Akron on a Sunday Afternoon


This city
It has worked itself into my dreams like no other place before
The streets where I wandered as a youth no longer occupy my thoughts
It used to be my refuge
My safe place to be


Wanderer that I am I thought home would always come first
I didn't count on the meaning of home changing on me like it has


Home used to be a lonely place full of empty streets
Flat and  busy with cars that do not stop
Now the streets swing high and low on a Sunday afternoon
Hills washed in gold by the setting sun of early fall
Cheerful and welcoming


The more I see
The more I find
The more I love


Sometimes this emotion is too much
I laugh at myself for feeling so strongly for this place
At other times I think that no one else could possibly love it more
Then there are those men and women I have met
Those who allow me to see this gem through their eyes


I am struck by how much this city is loved, beloved, embraced
The one person who could rightly lay claim to being its greatest admirer
Allowed me into his private realm
I saw this place through the eyes of a father
Looking from his vantage point
I saw his hopes, felt his love, his pride and his regrets for this place
I became smitten once again
This city has won my heart


For every reason there is to want to leave
There are a thousand little things that keep you rooted here
There is no place like home
Until home is this new place


Friday, August 7, 2015

Link: Jeremy Brandon Jenkins, Artist, Wanderer

"Artist Jeremiah B. Jenkins has lived all over the world, experiencing life as a foreigner and undocumented worked in South Africa, looking at places and life from a perspective that many Americans never do."

Read the entire piece here >>> Akronist.


Artwork: Jeremy B. Jenkins
Photo by Shane Wynn

Wednesday, July 29, 2015

Akron2Akron :Downtown Walk with David Giffels


What's the best way to get to know Akron?
Get out there and start looking.
Not sure where to go or what you are looking at?
Take an Akron2Akron walking tour!


OPENING



THE ADULT BOOK STORE
NEXT TO MR BILBO'S



GUEST AT THE MAYFLOWER HOTEL
AND THE TAJ MAHAL


YOU WILL LEARN MORE THAN YOU CAN EVER FORGET. WALK THE WALK AND GET TO KNOW AKRON LIKE ONLY AN AKRONITE CAN.




Thursday, July 9, 2015

Dear Akron




Dear Akron,

     I don't know if you have noticed, but I am kind of in love with you.

     Right now, I am in tears. I am hearbroken. I am at a loss for words.

     I came here because of the trees. Every time I crossed that bridge leading into my neighborhood I could feel my heart slow down a little. As the shade of the towering canopy followed me down hill I could feel the stress of my day slowly fade.

     I deliberately had my children here, raised them here. I taught them to love the bricked roads, the crooked streets, the quirky way the city lives it's life, and most importantly I taught them to love the trees.

     If you go up onto the rooftop of the tallest building downtown and turn your eyes to where I live all you see is green. That sea of green will give you an instant jolt of calmness. Go look. Go feel. It's there waiting for you. As you take it all in remember, that vast space is shrinking. It will fade from sight if you let it.




     Unfortunately here at home, where I have to be every morning and every evening, there is nothing special left to see. Frankly, there is nothing worth looking at. I see nothing outside my windows but my neighbor's house. This isn't why I bough a house here.
   
     In my house there are no curtains in the rooms that face the front street. We bought the biggest windows we could afford so we could surround ourselves with trees. Living here was akin to living in the forest. It was the reason why we wanted to stay here as long as we possibly could. We raised seven children here. We thought that we would get to watch our grandchildren run down these streets, each of them in awe of the majestic giants their parents loved.





My beautiful Akron, the one I have fought so hard to woo, the one I have been so diligent to represent, you have broken me today. I can't go out my door without touching the bottom of the world. I cannot think of my home without crying. I feel restless and angry. I feel like you have allowed strangers into my home, allowed them to ransack it, and then when I complain about what has been done, you tell me to be quiet, to calm down because you have a plan.

Your plan does not include these trees. Your plan does not include the elegant giants that buffer the winds and cool the streets.
     When storms manage to uproot one of our trees the neighborhood mourns. Right now, we are in shock. There might be a person or two who doesn't care, but most of us are dumbstruck. We know that no matter what we say or what we do this deforestation will continue until every tree on every street is cut down and replaced by a smaller, weaker lot.

     Little by little we are realizing that what we prized won't be here for much longer. If taking away fifteen percent of the trees in one street doesn't bother you, then taking away fifteen percent of the trees in our neighborhood won't cause you any grief either.

     Why should it. You don't live here. It's not your problem. You are right. It isn't your problem yet, but it will be. See, this starts here and moves outwards. We were seen as a small, insignificant neighborhood tucked in between larger places. You thought no one would care. You did it before to another pocket of houses, and when they didn't cry out you thought that we would be doing the same.

     Akron, am I not you? Do you not care what I think? Don't you want to hear my voice?

     If you were a human and I were in love with you I would take what you have done and how you have treated me as a sign that you do not want me around any more. It's almost as if you don't even need me.











Thursday, July 2, 2015

1st Wednesday: July Edition at Annabell's

     

Last night's
Spectacular
at Annabell's Bar &Lounge

     
Want to sample some of what went on last night, check out travlingyoyo on Instagram for 15 second videos of most of the performances or search the #akronmusicscene tag.
John Aylward took hundreds of shots. He will post some here: http://www.jraylward.com/#2

Check out the pictures and longer videos below.


The Akron Music Scene
by Connie Williams

I love where I live.  I love that I can be out of town a couple of days and return to a place filled with so many opportunities to experience the arts every day.  Akron offers that, and last night was no exception.  I got out of my car, unpacked my suitcase,  hopped into my buddy Yoly’s car, and headed over to Annabell’s to experience #AkronMusicScene firsthand.  

Produced by Steve Menser and Brian Poole, #AkronMusicScene happens on the first Wednesday of every month from 8:00pm – 2:00am.  There are three stages:  the patio, the acoustic stage, and the downstairs band stage.  Performers typically get an hour each, and the show is free of charge for anyone 21 and older. Sorry kids, but if you are younger than that you do have to pay to get in.  Last night Sassy Dog served up hotdogs, and and Neighbors Apparel offered their locally made cool stuff.

Planning a multi-stage music event on a Wednesday night in the middle of a holiday week is a risk, but last night the people came to hear some great local music. 

The acoustic stage featured Morgan Phelps from the band Coconspirator. Tonight he was playing solo. The unique sound of his touch guitar was both hypnotic and trippy.

He was followed by Akron comedian, and my favorite badass, Sarah Jones Saddleton.  Saddleton is a bundle of uncensored hilarity who managed to bring out the laughs in a room full of people who were not there to hear comedy. It was no small feat.

The wonderful My Buddy Josh’s Band followed after with a mash up of music and comedy that I can’t wait to hear again.

The largest, most enthusiastic audience was there to see and hear what was happening on the band stage below. Broken Mugs started off the lineup with enthusiasm. I had seen them once before, at the Electric Pressure Cooker Open Mic Cabaret, where their set was limited to ten minutes.  Getting to see them for a full hour was a treat. Their spoken word rocks, literally.

Copali followed with music that was, for me, some of the best of the night.  When you put steel drums and a saxophone in your band, you will definitely get my attention.  To hold that attention you have to bring the musical chops, and this band did.  They also brought the fun.  Worth mentioning is clarinet player, Willow DiGiacomo, who played like a rock star and managed to make the clarinet look cool.

The last act I was able to catch down there was The Scenic Route, fronted by Rachel Crozier and Jenn Ryan. Their pop/rock sound is feisty and fun, and their attitude is reminiscent of 80’s rocker chicks like Pat Benatar.

I missed catching the other band stage acts, The Hundred Hand Band, John Patrick Halling, and Jason Scott, and Brendan Kenney and Jimmy the Weed on the acoustic stage.The performances scheduled for the patio were a no show, and the show ran well past midnight.

Since Sassy Dog was stationed beside the patio, the open space provided a place for people to grab a hot dog or some fresh air outside and get a break from the crowded venue.


If the goal of #AkronMusicScene was to give Akron musicians a chance to expose Akron music lovers to their art, the evening was a success.   I heard some musicians for the first time, and I will certainly be watching (listening) to see what comes next for these talented artists.



A shout-out to
My Buddy Josh's Band
Loved it, but I don't have your picture. If you have one can I borrow it for this spot? I promise not to fold it. Or a video. A video would be great. Do you have one of the Rubber Band song? I loved your rendition of the Rubber Band song

Jimmy the Weed
for being such a good sport, and simply for always being the best guy in the room. and for playing a mean bass Love ya Jimmy!

Brendan Kenny
and his beautiful guitar

John P. Halling
In case no one has told you, your Songs of Walmart are epic!

Broken Mugs
Band Stage



Morgan Phelps
Acoustic Stage



The Hundred Hand Band
Band Stage



Copali
Band Stage




The Scenic Route
Band Stage



Sarah J. Saddleton
Stand Up Comedian
Acoustic Stage




What would #akronmusicscene be without the sound man?


The Audience
Most Honorable Guests
 


 



Our Hosts


Steve Menser                                    Bryan W. Poole

Reputable establishment willing to showcase Akron's Best.




All in all this was a great experience, both for bands who had to act as their own masters of ceremonies, and the audience. It's hard to stand around while there is nothing going on on the stage. People are so used to being entertained non-stop that even a small pause in the music was enough to break the connection. Those people who stuck with it were greatly rewarded. 
I thoroughly enjoyed all the acts I was able to catch and will definitely go back for the next show on on the first Wednesday of August.
---Yoly---
That's all she wrote folks!